Getting Out to the Pits
The options for getting out to the four open pits that hold the warriors are:
1) Pay 150 yuan to be picked up and dropped off back at the hostel in the afternoon with a group. Â This includes the museum entrance fee along with a side trip to a factory where miniature (and life-sized for those with a few thousand dollars to blow) terra cotta statues are still made for the tourism industry. Â Or…
2) Walk to the bus station by the northeast section of the city wall. Â Attempt to track down another bus (316, I believe) and take it to its final stop, which just happens to be the museum. Â The buses are cheap, and it would cost less than ten yuan in total, though the museum still costs 90 yuan to get in, so this option isn’t noteworthily more frugal than the first. Â But it is a lot lonelier if one is traveling alone. Â I’ve found that even better than hostels for meeting people while traveling, are these tour groups that take travelers out and about with other foreigners to strange and exotic places. Â Unfortunately, as of Sunday night, no one else is interested, and the group needs to be at least five people large.
Thankfully, I am saved by Mormons. Â Yes, a group of about eight of them happen to be staying at the hotel, and they’d gone to bed prior to my return from the water show. Â Keeping with stereotypes, they are among the warmest, friendliest tourists I’ve met on my trip — certainly as far as Americans go (we’ve got a reputation for being fairly arrogant assholes, as far as tourists go, and it’s not entirely an invalid label). Â In mere moments, I’ve gone from a lone traveler to a member of a kindly nine-person group on our way out to ol’ Qin’s mausoleum.
The journey takes just under an hour, and we make a quick detour while still in the city limits to explore what is described as “a museum that explains how the warriors were built.” Â This is only partially true. Â You can indeed watch a live performance of a terra-cotta warrior being assembled, but the warrior in question is sadly just ten inches tall. Â Yes, more than a “museum,” we are taken to one of the more elaborate tourist traps I’ve visited in my time spent traveling. Â Small women spend their days finishing off each individual unit by hand, while tourists are bussed in to observe them. Â Visitors are free to leave after the short presentation, of course, but not via the way they came in. Â No, instead we are guided through about five large rooms of merchandise — from collections of warriors of almost every size to large, hand-crafted furniture pieces to kitschy jewelry one might find at any souvenir stand.

A terra-cotta artisan, hard at work
In a room full of more clay warriors than we’d likely see later at the exhibit, our “tour guide” dogs my every step, clearly thinking he’s found a mark. Â He might’ve been correct, too, had I not already picked up a little warrior back in the city for about one quarter of the price listed here (and nearly identical, as far as I could tell). Â He stands by my side, watching me intently as I casually expect an assortment of characters I have no intention of purchasing.
As I pick up an archer, he moves in for the kill. Â ”Yes,” he says, “You look very good with that one.”
“Do I? Â You think it’d make a nice necklace, maybe?” I say, holding it up against my chest and looking down with a discerning eye.
“Haha. Â Very good!”
I set it down and continue on to a more highly-priced table where the soldiers each stand a good four inches taller than their counterparts at the previous stand.
“I think,” he says, “that these are the ones for you. Â Very big, like you. Â Strong.”
“Hmm, yes. Â I am quite large.”
“Yes.”
“And you would say, then, that the soldiers at that other table are… ‘so small’?”
“Yes.”
“So small?”
“Haha. Â Yes. Â So small.”
“Nice!” Â I put the larger archer down and proceed outside to the best feature about this “museum” — The cheesy photo op:

Freed from the vast gift shop, the rest of the journey goes by smoothly. Â Vans are forced to park close to a kilometer away from the actual site, so we make our way over briskly, passing the few other groups that made their way out here on a Monday. Â My choice of days was impeccable, as we breeze through the turnstiles without even a hint of a line and make our way into the museum grounds.

The main entrance to Pit One. We avoid it for now, lest its impressiveness render the other pits worthless
Before getting into the actual pits, one should understand what units your typical sticky-rice-filled, earthen army is comprised of:
Infantry: As expected, these are the most numerous of the figures, filling up the majority of the pits. Â Infantrymen all have their hair tied in a stylish topknot, always on the right side of their heads. Â They tend to be armored in either dense robes or thick-plated scale mail.

The Infantryman is the warrior on the left
Cavalry: These men differentiate themselves from all the other action figures by each coming with their own life-sized horse. Â Most of the horses came with chariots as well, though since they were built with wood, only vague outlines of their shape still exists. Â Horses exist on their own, or sometimes in groups of other horses pulling larger chariots.

Cavalry soldier (horse sold separately)
Archers: The archers are the only figures that are perpetually in kneeling position, on one knee, ready to strike. Â If, that is, they weren’t made of clay. Â Their heads are similar to infantry, only the topknot is located on the left side rather than the right.

Our tour guide explained that this was the first warrior ever found, though no other evidence supported her claims
Officers: The leader figures are rare in number, but proportional in count to an army of this size. Â They stand out by having a slightly wider topknot located directly in the center of their heads. Â A British website lists these figures as “Officials” and describes their role as non-military, though our tour guide regularly referenced that these were the men leading the army into battle. Â I hope my guide was correct, as this was the model of miniature statue I purchased, and if she was wrong my souvenir is suddenly significantly more lame.

I didn't manage to take any good shots of the officers, but luckily a picture of one was available from (quite apparently) terra-cotta-warriors.com
Guests to the “pits” — the unofficial title of the four distinct sites that have been discovered thus far — are warned in advance to start at the second pit, advance to the third and then conclude things in the massive first pit. Â The fourth is the newest and is only visible via a glass ceiling that looks in over the excavation. Â Even then, “visible” is a loose term, as nothing about the view is more exciting than looking in on barren earth and occasional hand tools anywhere else on earth.

Piles of wounded soldiers spread out in the second pit
Our guide sticks to the advice we’ve been given, with regard to pit order, and the reasoning on everyone’s part is sound. Â The massive Pit One is simply too impressive to be followed up by its significantly less exciting sister pits. Â In terms of size, Pit Two is still quite sizable and gives a good impression for the scope of the ancient project, with long, parallel hallways of warriors stretched out across a vast expanse. Â However, work has only just begun on re-assembling its inhabitants, and broken body parts — both human and equine — lay scattered in heaps of rubble throughout the room. Â Pit Two also has re-assembled samples of each of the units behind glass cases, for those seeking a more intimate view. Â The unearthed archer on display even still shows some sign of coloring along his back, which is a rarity despite the fact that all the warriors were once covered in paint.

The rear end of a horse, creepily protruding from a wall

Original coloring still visible on the back of the archer. This degree of coloration is rare on most of the warriors, despite the fact that originally they were all fully painted
Pit Three is the smallest, and the belief is that this was the ancient war chamber, given the higher percentage of officers. Â Though if the British newspaper is to be believed, this room was once filled with Officials instead, making it a far less exciting place for clay people to visit. Â Each pit contains a variety of ways to separate the tourist from his money (gift shops, photo ops, etc), though Pit Three is the most creative. Â Using cameras and on the spot photoshop skills, visitors can have their face “clay”-ified and placed onto a photo of the warrior type of their choosing.

Inside Pit Three. These four horses once pulled a large wooden chariot, though it's fully deteriorated over time

More rubble from Pit Three
As its a Monday, the line into Pit One is blissfully short, though one can easily understand why that might not be the case. Â Upon building this massive showcase of the largest, most ineffectual army of all time, China took a gamble that it would drastically increase tourism to the area, and looking out onto the massive formation of soldiers, it’s clear that their bet paid off.

Toward the back of Pit One, rows of freshly reassembled soldiers stand in waiting. Eventually, they'll be placed back into formation with the others.
In a room larger than the size of an airplane hanger, twelve long rows of the soldiers stretch out from one side the building to the other, with each row 4-5 men wide. Â Infantrymen make up the bulk of the army, though from hairstyles alone it’s easy to spot the occasional officer mixed in. Â Horses are interspersed at times with the soldiers as well, sometimes with an empty space behind them where a chariot — long deteriorated due to being made of wood — once stood behind them. Â It’s equal parts awe-inspiring and a testament to the epic pointlessness ancient rulers were once capable of.

In the gift shop, we meet the aforementioned Yang Zhifa, busily signing autographs of books he had no part in the writing or producing of. Â For an old man, his hands still dart across the page as he signs each book, though if he’s in hell it doesn’t show on his implacable face. Â The line is long and there’s no reason to believe that it ever lets up while the shop is open. Â Poor bastard.
The tour closes with one of the more bizarrely filmed reenactments of all the important events leading up to the creation and discovery of the warriors.  In a large round room, twelve screens wrap around the audience in a circle, presenting a 360 degree story that’s more disorienting than awe-inspiring.  The panoramic style is an effect that I’m sure I’ve seen before (Epcot Center, perhaps), though one thats popularity both skyrocketed and plummeted all in a short period of time in the 80′s everywhere else in the world.  Too many distinct events take place on a single screen, despite the myriad of choices, causing all audience members to watch the narrative in a constant whirling dervish if they want to keep up with the loose narrative.  Couple that with the low quality, damaged film and eery reverb-heavy background music, and the whole thing comes across like a presentation from the Dharma Initiative.
Back in Xi’an, I part ways with the Mormons who, even after six hours of touring around the area, seem to be as chipper and friendly as they were when we first met. Â They’re teaching in a smaller city 20 hours east of Xi’an by train and desperately need to make a supply pilgrimage to Xi’an’s Wal-mart, a store that definitely isn’t present in most Chinese cities.
For my part, I’ve been planning all day on doing the bike trip around Xi’an’s city wall, but a significant hitch in my plan comes in in the form of pouring rain and significant drop in the temperature. Â My only regret in Xi’an is not at least climbing to the top of the massive wall that the city is famous for; it’s a nice town, but it’s very unlikely I’ll ever be back here.
Han Tang is one of the better run hostels I’ve been to in Asia, and comparable or better to any of my favorites from South America. Â They booked my 8 pm train ticket for me in advance, and at 7, after vegging out in the common room watching the final Pirates of the Caribbean movie (turns out I didn’t miss much skipping it in theaters) they offer me a free ride up to the train station.

The line leading into Xi'an train station. Long, but orderly as far as lines go in China
My stomach turns at first as I spot the line leading into the station, though in the name of staying positive, I’m thankful that it actually is someone line-shaped — that’s never something that can be guaranteed here in China. Â It’s one of the least English-friendly travel experiences I’ve encountered so far. Â The digital signs are all in China, and as scores of cities flash by, I focus intently, looking for the symbol that signifies Chongqing. Â There it is: Gate 18.
Gate 18 is a madhouse of a waiting room, as the seats are all taken and entire families huddle together in the aisles between, clutching massive bags that may or may not comprise the entirety of their belongings. Â It’s like a scene stolen from old stories of arrivals to Ellis Island in New York, excepting of course that everyone here is Chinese and that this is just a normal train ride to any of them.
Riding a train in China offers four separate options:
-

Hard beds. The one on bottom was mine.
Hard Seats: This is the cheapest way to travel and, as the name implies, the least comfortable. Â Seats are tightly cramped together and from what I’ve heard, riders aren’t even guaranteed a spot on one. Â It’s not unheard of for riders to remain standing in the aisles for the duration of a 13-hour, all-nighter. Â In other words, passengers in this section are on a particularly tight budget.
- Soft Seats: A step in the right direction, as far as comfort goes. Â Apparently there are still people standing in the aisles in this section, though it’s unclear whether or not they’re spillovers from the Hard Seat section. Â For the extra ~2 dollars these seats cost, one would at least hope each ticket guarantees an actual sitting position of some sort.
- Hard Beds: My choice for this adventure.  These beds aren’t as hard as they sound, as the mattresses are about three inches thick.  These beds are stacked like bunk beds, three high, and each open compartment houses six beds.  A thin pillow is provided, as is a large white blanket.  It’s uncertain how much any of these sleeping accessories are cleaned, but for what it’s worth there wasn’t any discernible smell to my bed.
- Soft Beds: The distinguishing feature to these tickets isn’t the comfort of the bed (though they are a bit nicer) but the quality of the room. Â Rather than sleeping six people to a dark, open compartment, the Soft Beds are arranged four to a private room. Â I only caught a glimpse into one of the rooms, but it was a clear step up in terms of looks and class to where I was sleeping.
Despite all the differences, the difference in price on this trip from the lowest quality all the way up to the Soft Sleepers was less than 15 US dollars. Â But I guess when you’re counting every penny, these differences really count. Â As I can afford to be a little less frugal with my cash, I pay the hostel twenty extra kuai (about three dollars) to book the ticket for me. Â The price seems a bit high to me, but getting anything in China is far more difficult than in South America if you don’t speak the local language.

A more typical Chinese line. They had just announced that our train would be boarding, and the entire room surged forward at once. Hard seats typically aren't assigned, so the rush to get in and secure a spot is understandable.
After the fact, it was explained to me that in the Hard Sleeper section, the lowest bed serves as a bench of sorts for everyone to sit on while it’s still light out. Â Only when the lights go out and people are all ready to sleep does the bed’s occupant take over the spot and use it for its primary purpose. Â Sadly (for the rest of the people in my compartment) I was absolutely exhausted, leaving one of the “benches” completely occupied almost immediately upon departure. Â Some words were spoken to me in Chinese, but sadly (or gladly, in this case, as I surely wouldn’t have wanted to sit up and wait for two hours to actually use my bed) I could only mutter my classic catchphrase of “Ting Bu Dong” (“I hear you, and yet I do not understand you!”) and dismiss each pleading attempt at conversation.

The aisle of the hard sleeper section
Right on schedule, we arrive in Chongqing just before nine in the morning.
Ahh, Chongqing.
“Home.”

















































