While some of us rely on savings, windfalls, luck and/or a steady stream of odd jobs to maintain the traveler lifestyle, Elizabeth Gilbert managed to have her entire trip fronted by publisher Penguin books, in the hopes that it would lead to good material for a book. Their gamble succeeded, as the book, entitled “Eat, Pray, Love,”spent 187 weeks on the New York Times bestsellers list, and if I sound jealous in any way, it is only because — like most other feckless travel bloggers out there, pinching every penny to jot out notes on our self-indulgent misadventures from around the world to a readership that scarcely extends beyond parents — I am. Truly, madly and deeply jealous.
Gilbert’s premise was simple enough: Get over the heartbreak of a failed marriage by eating in Italy, praying in India and loving (or at least contemplating on how to love) in Indonesia. None of her epiphanies are philosophically eye-opening and the book suffers (or perhaps profits from) an excessive amount of navel gazing. But she has a compelling voice, pleasant enough attempts at wit and above all manages to write a book that follows enough of the conventions of best-selling “chick lit” to make a ubiquitous tome among female backpackers, while managing to tell a story that, at least theoretically, actually occurred.
For the purposes of this blog, there’s not much point to discussing Gilbert’s eating or praying, so I’ll jump straight to her Indonesian love-fest, where the hapless Gilbert found herself in a mild form of indentured servitude with the yoda-like Ketut Liyer. Living with the wizened figure, she documented all of his simple, salt-of-the-(Eastern)-earth style wisdom that had provided Gilbert with the existential material needed for her to have an epic breakthrough and find true and everlasting love. Theoretically, at least; I wasn’t compelled enough to go out and grab the sequel to see just how well all that love worked out for her.
The Ketut of the book is a soft-spoken, patriarchal no-nonsense figure who simultaneously seems to view the world as though in on some sort of private joke. None of his fortune-cookie-like words of wisdom truly seemed epiphany-inspiring enough to me that I would pointedly track the man down, but upon hearing that the now-famous guru lives just minutes from our hotel in Ubud, Laurie and I are both too compelled to pass on a quick visit to his humble estate. With each passing year, I’ve gradually accepted that I will never meet Yoda, but perhaps getting some profound words from a man who is now both the most famous and the most shriveled tourist attraction in Bali will be a close second.
A handful of black and white drawings hang along the single wall of the otherwise open air waiting room, where we lounge in silence as Ketut tends to the steady queue of visiting pilgrims that all tend to be of the same basic demographic: white, female, mid-30s to early 50s, presumably single, presumably not always so. His current seeker sits cross-legged next to him on a small platform, peering into his eyes so deeply it seems she’s attempting to use them to extract a part of his soul, and she rides every slow word that wisps inaudibly at her from his dark, cracked lips. Intermittently shifting his gaze between her eyes and her right palm which he grips with one of his small, dry hands, Ketut mumbles to her with an urgency that she clearly grants an exaggerated poignancy.
Turning my eyes back to the artwork on the wall, I’m reminded of the psychedelic scrawlings of shifty parking lot artists at Grateful Dead concerts, peddling their wares for gas money. The mixture of Balinese spirituality with repetitive patterns that surely “look sick when you’re tripping” permeates most of his efforts, and there’s a clear display of at least basic talent on his part, but none of the pieces are compelling enough to request a price. Glimpsing back at the ancient figure, I ponder on the artistic truism that an artist’s works always skyrocket in value upon their demise, but even as I morbidly size up Ketut’s mortality, I’m not compelled enough to shell out any extra cash on a sketch of a three-headed Balinese demon goddess floating within a circle of curvy totems that could either be surreal earrings, surrealistic breasts or both.
We’re waved forward as the woman currently on the dais with Ketut slowly pushes herself upwards into a hunched over stance, still shaking his hand vigorously in gracious praise of his divine acumen. It’s a good sign. My casual public cynicism may make it clear to anyone glancing over at me that I expect little from this meeting, but deep down inside, why wouldn’t I be hoping for the same enlightening, life-changing pearl of wisdom that all of his pre-menopausal visitors with biological clocks ticking so ominously that they might be connected to large blocks of C4 hope for? How different am I from these grimacing, doubt-filled near-matrons, floating about the world with little direction or purpose? Clearly this mystical little brown spiritual ninja will slice through all the subterfuge and see that I’m at least as worthy of life-altering advice as Elizabeth fucking Gilbert. Right? Is it so much to ask for that he provide me with just a handful of solid one-liners that both change my life and sound really witty if you add “in bed” to the end of any of them?

The open air bed that one assumes Ketut sleeps in. Apparently severe nighttime rainstorms aren't a major issue here.
Ketut signals for Laurie to advance toward his platform first, as I am guided over to a small stone step next to one of the many birdcages pervading his sacred compound. The large white bird contained within, like most of the Balinese people I’ve come in contact with, seems neither perturbed nor excited by my presence, despite my apathetic attempts at befriending it. It’s uncertain to me whether the guru is even aware that I am the next in line; I’ve heard that many men apparently come along on this excursion solely as supportive partners, surely hoping the entire time that Ketut doesn’t complicate their relationship with a dismissive thumbs-down when the topic of romance comes up.
As Laurie sits, the diminutive man greets her with a nearly toothless grin and takes her hand warmly. “Welcome! Oh, your lips look so sweet! Please, welcome, sit. He–” Ketut says, pointing at the male guide that brought us here, “–explain that the reading is [equivalent of $25], yes?” To give this value perspective, most meals are around five dollars; an hour-long massage at a nice spa is upwards of ten; a night at our bed and breakfast is just under twenty. She nods and he continues.
“I am sorry but my nephew is in the hospital right now and it is so expensive and so I must charge this. You know — E-liz-a-beth Gil-bert?” he asks rhetorically, putting extra emphasis on each syllable of her name. ”She stayed here with me and wrote a book Eat-Pray-Love. You know this book? Yes? And this man there,” he says, pointing at me, “is your… boyfriend?” Laurie quickly explains that I am not. ”Oh,” he says, looking mildly befuddled by this unexpected news. It must always be perplexing for fortune tellers when they discover that they have no idea what is going on. He passes her a brown, hardcover book.
“E-liz-a-beth Gil-bert give me the book Eat-Pray-Love and many people in the world love this book. But I do not know what it says because I can not read this! Will you read please?”
“You want me to read it to you?” she asks.
“Yes. Please.” He stares at her, nodding toward the ratty tome, which appears to be close to a hundred years old, despite a publication date from 2006. She picks a passage seemingly at random, though it’s possible that the section had been marked in advance for intrepid visitors that they might get a refresher as to why they came to visit Ketut in the first place. She reads softly to him for a few moments — no more than two paragraphs — while he stares out into space loftily with the occasional solemn nod, as though receiving a sacred benediction.
“Ah. Yes,” he says with a smile, closing the book as he eases the book from her hands. ”I do not know what she is talking about, but I remember E-liz-a-beth Gil-bert and she stayed with me for many days and I am happy for her that the book Eat-Pray-Love is so popular and I hope she is very happy. Now–” he says, suddenly returning to the business at hand, “–you would like for me to do a palm reading, yes? Good. And I must ask you first, this man with you is your boyfriend?” he says, gesturing again toward me. Laurie laughs confusedly and expresses that I am still not her boyfriend. “Hmm,” he ponders, confused by this reiteration.
“I look first at your beauty line and you are so pretty and I see that you will be beautiful for all of your life. And your life line is also very long so you will live to be very very old!” he smiles warmly, as though caught off guard by this splendid news. ”Very good, yes. And here, I see, is your line for romance.” He says the last word excitedly, as though several months of regular practice has keyed him into what the money point is among his typical guests. ”You came here with this man, I am correct?” he points over to me.
“Yes,” she says, “but he–”
“And,” he cuts her off excitedly, “he is your boyfriend, I think!”
“No, really, he’s just a friend!”
“Hmm,” he ponders, “but you have a boyfriend, yes?”
“Yes. Back at home. Not him.”
“Not me!” I quietly assure him from my spot next to the disinterested white bird.
“I see your romance line is very long. The man you are with now is the right man for you.”
“My boyfriend back at home?”
“What? Yes, you and your boyfriend. You will be married and both of you will live for a long time.” He smiles knowingly. Cynically, I feel the strong urge to point out that he doesn’t technically have her boyfriend’s palm available, and thus cannot make such a proclamation. But then the cynic in me remembers that we are here getting our palms read from a near-toothless Indonesian man which already renders all further skepticism redundant.
“Also,” he says, tacking one last piece of inspired wisdom to a reading already rife with visionary prescience, “your flower — is a geranium!”
“Oh,” she responds. ”Thank you.”
“Very good for you. You must come back and visit me some time.” Elizabeth Gilbert ran into the fortune teller some time before beginning work on her book, and was inspired to return after he generously requested that she come back to him some day. Hearing this closing line, it’s possible she might’ve read a little too much into his closing shtick.
I replace Laurie on the dais, while she steps aside to keep the insouciant white bird company. Ketut is exactly as warm and friendly with me as he is with her, though thankfully the line about my having sweet lips is omitted. He queries me about my relationship with Laurie, and his eyes widen as he shares the good news about my successful business dealings, my long life (presumably with the girl sitting behind me) and a great love who will be with me until the end of my days (“that girl that is with you, I think,” pointing again at Laurie, and said with a smile and wide eyes that seem to get more and more glazed with every proclamation). Proving that he finds me every bit as charming as both Elizabeth Gilbert and my presumed girlfriend, I, too am invited to come and visit the next time I am in Ubud. As it is unlikely that I will be returning in his lifetime, I swear in all earnest that I will.
My future now laid bare with surprising clarity and depth, I rise to take my leave but Ketut reaches out for my hand portentously and, after a brief, thoughtful pause, suddenly shares something with me that is for once entirely different from what he had passed on to Laurie:
“Your flower — is the orchid!”











































